Nightcrawler directed by Dan Gilroy
I usually don’t enjoy watching Jake Gyllenhaal movies. I’m a huge fan of Donnie Darko and Zodiac, and thought Source Code was pretty good. You see, Jake does well when he doesn’t try to recapture what might have been in his failed attempts at nabbing the Spider Man or Batman roles. When in the hands of a good director, he does well. When he tries box office roles as a leading man, he fails miserably (Prince of Persia, The Day after Tomorrow). He has talent, but isn’t really a likeable character in almost anything he is in. Nobody says, “Hey, are you going to see the new Jake Gyllenhaal movie this weekend?”
He is a modern day Dennis Quaid.
Does Dennis Quaid star in a bunch of films? Yep. Do they all suck? Nope. Are any of them good? A few. Does anyone consider him a star? Nope. Do people think he can act? Sometimes. You can pretty much make a checklist and start marking off boxes and you’ll see a match fairly quickly.
In other words, who do you go to when the top 7 actors you wanted turned the script down, then the next 5 actors demand too much money, then the next 3 actors choose another project or a broadway show instead?
You go with Jake Gyllenhaal.
Going into Nightcrawler, I was expecting the worst. The preview said it was one of the best pictures of the year, which I roll my eyes at everytime I hear that. Every film is the “best” at something, from the “Number One picture in America” all the way down to “The top comedy in America” (When there are two cartoon sequels, a comic book movie, and a remake that same weekend, and the film technically finished in 8th place).
What I watched was astounding. This was “good Jake” acting like an obsessed lunatic, in an anti-hero coming of age story in relation to the media business. It could be social commentary on news, or people behind the news, or an allegory for competition in America and winning at all costs. It was slow at parts, but in a good way. The director let the story breathe. The story built up to an epic third act that had me totally engrossed in the film, up until the very end. I enjoy character stories such as this, and Drive, and wish Hollywood made more of it, rather than trying to please all four quadrants of the audience chart. If they made The Godfather to please the kids, grandma, women, and all ethnic demographics instead of just making the best Italien mobster movie of all time, could you imagine the disastrous result?
This could very well have been the best movie I saw in 2015 on DVD.
Movie Rating: 10/10 Doughnut Shop Confrontations