What is an esquire?
Either google the term if you have zero patience, or watch how Denzel Washington delivers an answer as Roman J. Israel, Esq, a man with a crisis of conscience.
This is a common theme in many adult films. I personally like George Clooney in Michael Clayton as he explores a similar theme, also in the legal world. Maybe this is why we don’t predominantly like attorneys. They are expensive, shallow, and the nature of their work treat their clients as dollar signs. This theme runs deep through the film as Denzel’s character has to weigh a life of servitude for the greater good, or giving in to the monetary demons on his shoulders.
Choices are made, and you can probably guess the arc. If you watched Nightcrawler, an excellent film also by Dan Gilroy (who also saved Rogue One in reshoots), you’ll know there is a new master in Hollywood. Gilroy understands pacing, character arcs, and how to deliver an ending against a narrative.
People, understandably, hope for some Hollywood type ending. In legal dramas, this often culminates in some victorious legal decision. But the story is often more about the case or criminal. A film directed by Dan Gilroy is always about someone’s journey, the decision they have to make, and the consequences of their actions. Watch Nightcrawler, the end of Rogue One, and Roman J. Esquire and compare.
I read a few other reviews, mostly centering on Denzel getting nominated for an Oscar again, but they hoped for more. Others called the film weird.
I thought it was tremendous masterwork done by a storyteller. I look forward to the next decade of Dan Gilroy films. They have you thinking afterward, “what was that about?” In current cinema, there are only a few other directors I hold in this regard: Christopher Nolan, David Fincher, and Nicholas Winding Refn. I don’t exactly have to love all of their films, but I love the artistry they display in a commercialized business.
I think this is Denzel’s best work in many years. He’s plays basically the same character in most of his films, likely due to director/producer decisions, so that people know exactly what they are paying for. He is kind of crusty, kind of tough, and usually to the point. Roman J. Israel is crusty, however isn’t tough, is kind of chicken, stammers on tangents and lacks social manners.
And what else. Colin Farrell. That Colin Farrell. The one who was In Bruges, not the one in SWAT. The one pushing himself in The Lobster, not the one evading capture in Total Recall. The one who dabbles in indie films with exploratory storytelling. Not the one looking for the big payday. The character actor. A good character actor.
Dan Gilroy, please please please keep the films coming. I know $11 million isn’t exactly the box office producers want, but film as an art form needs more stories like this, and adults need to support it in the future, otherwise over-saturation of sequels/prequels/animation/reboots/comic stories will somehow get worse. Film itself is going through a similar crisis of conscience. There is a tradeoff in this industry, like many others (like Facebook filtering the fake paid posts, but not all, or Google disabling fake news accounts, but still allowing Tai Lopez to pump Bitcoin courses to dumb millennials), which I now ponder the morning after. Movie reviewers are not exactly a philosophical bunch, so I understand how most were quick to type up their reviews and few actually thought about the art. I can only imagine them attending a new art exhibit.
Movie Rating: 9.5/10 Armenian Rewards