It is looking more and more like a dead end. Another 21 days has past and my teleplay has still not been evaluated (I am assuming another free month of hosting is coming). The ATX festival begins in 2 1/2 weeks, and I’m sure the 10 selections have already been made. This kind of feels a bit disappointing. The rules clearly stipulated that the script needed to be up on the website for a week by April 15. I clearly made the due date, and even went ahead and paid for 2 script evaluations, but so far, I feel like I am some high plains drifter out on a long journey. I do see on future contests, they have been posting a “submit for evaluations by” date on the press releases which alleviates confusion. I wonder this is why my email to the system administrator when unanswered 5 weeks ago.
How long will I be out here? I have another screenplay in mid-draft, but as each day goes by, I find myself working on my novels more and more (I have a bunch of projects in various stages of draft). I looked up my stats today, and so far, I have 5 views of No Returns Allowed. I checked early last week and I had 3 views, so there were at least a couple clicks this week. I had gone, well, well over a month with nothing happening as the script sat in the wilderness. I try not to complain, as there is always the next opportunity.
What about my two paid script evaluations?
If I read this correctly, it is still awaiting assignment. Wow. So I don’t know. It would be ironic if the evaluations don’t get done until after the ATX festival. I don’t see any other TV submission contests as most seem to be film oriented, so I would have a couple options. First is to pull it from the site and upload it again next year. I am not sure if the evaluations would stick or not, but if rated 7 or lower, that means I should probably take it down to revise anyway. If the evaluations are great, I guess it would be worth it to keep it up for the next round. I could also make movie version, however, I would have to completely change the script. I would have to condense the pilot to 40 minutes and flip around plot points, then change the antagonist. I would essentially take the planned reveal at the end of the season and make that the second act, and then resolve it. It can be done, but it really was constructed for TV.
I do still plan to post the evaluations if they ever do come. Although I had fun writing the script and it was surprisingly easy to outline a pilot and a 5 season story arc, I do want a little feedback with it so I can learn what to improve. I’ll probably be writing a hundred scripts in the future, regardless of how this escapade turns out. Max Landis posted online that out of a 100 scripts he wrote only 3 got picked up. One of them was for like $3M, so his journey was eventually worth it financially.