TV Writing Contest: The Black List (Part 3)

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This is what the screen looks like after you submit and pay the $25. Pretty simple. I had to check a bunch of boxes and what genres it falls into and curious questions on setting, characters, plot trope, etc. Pretty interesting way to search for scripts. As you can see from the top, nothing too much happens when you submit. It shows I had one script submitted and active. There are currently zero reviews and zero downloads. (uh oh…)

The picture I find funny. I guess based on what you click, it puts little pictures to kind of visualize the type of story it is. If you notice to the top right of the screen, it says “pilot” on the script. There is another choice for screenplay when you submit. Pilots are typically 60 pages at length while movie screenplays are 120-140 pages at length (though if its longer, you might need to have some industry pull or name recognition).

On the left is where you see the “opportunities” that you can submit to. A few of them look interesting to me. I might write a screenplay and submit to one just to see what happens. Some will get you into a writing conference while another is a paid gig from WB, if submitted. I did the ATX, which was for free and a chance to attend the festival which I live near. I find all of this pretty neat. It’s much better than stories of valet’s accidentally leaving behind their manuscript in the cars of producers or sliding it beneath bathroom stalls. I’m not sure if I ever heard of a story where one of them was actually produced.

One additional rule is if you get chosen, a biography and additional background information is required within a week. I’m guessing this is to make sure you are not writing from San Quentin or something.

I’ll keep you updated as this hope this thing moves forward.

CHECK OUT MY NEXT UPDATE ON THE BLACK LIST

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